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The interface

How do you read and query a work in the Hyperedition?

The Hyper-interface, designed specifically for pirandellonazionale.it, is the gateway to all the resources of a work. It is based on a two-window model: on the left the text, always visible, one page at a time following the numbering of the printed edition; on the right the tool chosen by the reader, synchronised with the page being read.

The reading interface of the Hyperedition of Il fu Mattia Pascal, page 2: on the left the beginning of the Premessa, with the characters' names highlighted; on the right the Resources panel with audiobook, teaching units, the 1926 film and a stage production, and below the linguistic notes and the characters on the page.
The Hyperedition of Il fu Mattia Pascal, page 2. Top left, the orientation tools (1–5); top right, the four paths (6–9); below, the text and the chosen tool, synchronised on the same page.

The four paths

Manuscript

MS edition
The diplomatic edition of the manuscript in EVT 1, with the images of the leaves next to the transcription.
Visualisation
The leaves corresponding to the page being read, with the first and last line indicated; a click opens the leaf full screen.
Restoration
A sample of the digital restoration process, comparing the original leaves, the deletions and the restored version.

Edition

Critical
The pages of the printed critical edition, with the apparatus of variants.
Digital
The edition encoded in XML-TEI and displayed in EVT 2, with the witnesses side by side; for the plays, the «Edizioni a confronto» (Editions compared), act by act.

Vocabulary

A search by word form or by lemma in the concordance of the work or of the whole corpus. With the vocabulary active, every word of the text can be queried: a click returns absolute frequency, relative frequency and contexts of use (KWIC, Key Word in Context).

Resources

A page-by-page list of everything linked to the text: commentary notes, glossary, entries on characters and places, audiobooks, scenes from films and stage productions, letters, teaching materials.

The orientation tools

Contents

The divisions of the work (chapters, list of characters, acts), with their first and last pages.

Go to page

A direct jump to a page of the edition.

Reading mode

The text full screen on two facing pages; annotated words are highlighted and the commentary opens in a pop-up window.

Guide, and Information and responsibilities

The instructions for use and the credits of the work.

Technical choices

The interface is developed in JavaScript as a component of the site and is:

  • Dynamic

    It returns data by querying the XML files and the concordance database.

  • Asynchronous

    It lets you keep reading while content is loading.

  • Responsive

    It adapts to the screen and the device in use.

Each Hyperedition is described by a configuration file that states where to find the cover, contents, credits, text, pages, manuscript, editions, vocabulary and resources. Adding a work therefore means preparing its data according to the model, not rewriting the interface: this is what made it possible to move from the pilot edition of Il fu Mattia Pascal to the Hypereditions of the rest of Pirandello's corpus.

Edizione Nazionale Digitale delle opere di Luigi Pirandello
MIBACTOSCAR MONDADORICINUMFONDAZIONE SICILIA
COMMISSION FOR THE NATIONAL EDITION OF THE COMPLETE WORKS OF LUIGI PIRANDELLO
President: Aldo Maria Morace
President in memoriam: Angelo R. Pupino
Secretary: Marco Manotta
Members: Beatrice Alfonzetti, Annamaria Andreoli, Rino Caputo, Stefano Carrai, Simona Costa, Clelia Martignoni, Carla Pisani, Michael Rössner, Antonio Sichera
DIGITAL EDITION
OF THE COMPLETE WORKS

Directors: Antonio Sichera - Antonio Di Silvestro
Editorial team: Liborio Barbarino - Giulia Cacciatore - Giuseppe Canzoneri - Christian D’Agata - Milena Giuffrida - Laura Giurdanella - Myriam Grasso - Ana Ilievska -  Giuseppe Palazzolo - Pietro Russo - Carmelo Tramontana - Eliana Vitale - Alessandro Zammataro